Gimhongsok is featured in the 2019 Title Match Gimhongsok vs SEO Hyun-Suk, a two-person exhibition titled Incomplete Ruins at the Buk-Seoul Museums of Art. Internationally acclaimed for his conceptual work that suggests novel perspectives through everyday ideas, Gim has exhibited his new works including Human Order(Planets), Incomplete Order Development(will), Untitled(the black and grey walls), Human Order(Desk of Labor Law, Arts, and Love), and FOLD-190401, along with his earlier works such as A 168-Hour Long Play(A time that is not confined in a day or the past) (2018), MOP-161122 (2016), and Mr. Hello greets Mr. No (2006). With work that reveals the discomfort evoked by ideas of “incompleteness” and “imperfection” under the overarching theme which the artist calls the Human Order Project, Gim challenges our blindly held belief in “completeness,” “perfection,” and “order.” and Reflecting on existing orders and structures that have been shaped by social consensus, including the conventional beauty standard or the idea of what art is and what it should do, the artist utilizes a diverse range of mediums including drawings, installations, sculptures, and paintings in order to disclose his suspicions of and wariness towards what he had formerly embraced as art.

With the guiding themes of Gimhongsok's "incompletion" and SEO Hyun-Suk's "ruins," the Incomplete Ruins traces the two artists' deliberations on the artistic practices of those who live in a world where the concept of absolute value has lost its meaning. While the practices of these two artists seem to point to two disparate directions, their Title Match presents a multi-dimensional collaboration in search for the "conditions that bolster the relevance of art today."