Born in 1961, La Jolla, US
Lives and works in Brooklyn, US
Education
1986 Skowhegan School of Painting and Sculpture, Skowhegan, US
1983 B.A., Yale University, New Haven, US
Selected Solo Exhibitions
2023 Marine Layer, Kukje Gallery, Busan, Korea
2022 Drawn to Water, James Cohan Gallery, New York, US
2019 The Sunday Paintings, MOCA Cleveland, Cleveland, US
2018 Collection 1: Retrograde Perpetuum!, 3331 Arts Chiyoda, Tokyo, Japan Sky, Kukje Gallery, Seoul, Korea Sunday Paintings, 1/7/01 – 2/11/18, James Cohan Gallery, New York, US
2016 Mud Root Ochre Leaf Star, James Cohan Gallery, New York, US
2015 Pond Lily Over Mushroom Cloud: Byron Kim Adapts the Black on Black Cosmology of Maria Martinez, Museum of Contemporary Art San Diego, San Diego, US
2013 Spencer Finch & Byron Kim: Day and Night, James Cohan Gallery, Shanghai, China
2012 The Sunday Paintings, Columbus College of Art and Design, Columbus, US
2011 Byron Kim, James Cohan Gallery, New York, US Night & Day, PKM Gallery, Seoul, Korea
2008 Irwin’s Disc, The U.N. Building, and Other Paintings, Max Protetch Gallery, New York, US Byron Kim, Meulensteen Gallery, New York, US
2006 Threshold, Berkeley Art Museum, Berkeley, US; traveled to Samsung Museum of Art, Rodin Gallery, Seoul, Korea; Museum of Contemporary Art San Diego, San Diego, US; Weatherspoon Art Museum, University of North Carolina, Greensboro, US; Henry Art Gallery, University of Washington, Seattle, US; Scottsdale Museum of Contemporary Art, Scottsdalem US; Hosfelt Gallery, San Francisco, US Recent Photographs and Sunday Paintings, PKM Gallery, Seoul, Korea
2005 Oddly Flowing, Max Protetch Gallery, New York, US
2004 Permanent, Hosfelt Gallery, San Francisco, US
2001
Max Protetch Gallery, New York, US
1999 Whitney Phillip Morris: wall drawings by Byron Kim, Whitney Museum of American Art at Phillip Morris, New York, US Roche's Point Studies, Max Protetch Gallery, New York, US
1998
Museum of Contemporary Art, Chicago, US Byron Kim: Process, Hatton Gallery, Colorado State University, Fort Collins, US
1997 I Wandered Lonely as a Cloud, Max Protetch Gallery, New York, US
1996 Grey-Green, Hirshhorn Museum and Sculpture Garden, Washington D.C., US
Baumgartner Galleries, Washington, D.C., Dieu Donne Papermill, New York, US
1995
Korea Arts Foundation of America, Los Angeles, US
Kiang Gallery, Atlanta, US
1994 Matrix 125, Wadsworth Athenaeum Museum of Art, Hartford, US
Galerie Francesca Pia, Bern, Switzerland
Max Protetch Gallery, New York, US
1993
Baumgartner Galleries, Washington D.C., US Byron Kim and Glenn Ligon, AC Project Room, New York, US
1992
Max Protetch Gallery, New York, US Byron Kim and Kiki Smith, AC Project Room, New York, US
Selected Group Exhibitions
2024 Brilliant Sunlight, SeokPaJeong Seoul Museum, Seoul, Korea A New Sense of A Shared World, Daejeon Museum of Art, Daejeon, Korea The Shape of Time: Korean Art After 1989, Minneapolis Institute of Art, Minneapolis, US
2023 The Shape of Time: Korean Art after 1989, Philadelphia Museum of Art, US Lineages: Korean Art at The Met, The Metropolitan Museum of Art, New York, US Come a Little Closer, DC Moore Gallery, New York, US Rules & Repetition, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, US
2022 Monochrome Multitudes, Smart Museum of Art, Chicago, US The Reason for the Neutron Bomb, Museum of Contemporary Art San Diego Downtown, San Diego, US Fleeting Moments of Joy, Sheldon Museum of Art, Lincoln, Nebraska, US Us Them We: Race Ethnicity Identity, Worcester Art Museum, Clark University, Worcester, US
2021 8 Americans, Chart Gallery, New York, US Artwork of Endurance, 1979-2018: Three Decades in Print from the Permanent Collection, The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, US Trauma : Shooting the Pulitzer + 15 minutes, Daejeon Museum of Art, Daejeon, Korea The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time, Brooklyn Museum, New York, US Artists and the Rothko Chapel: 50 Years of Inspiration, Moody Center for the Arts, Houston, Texas, US Atmosphere: The Pace Staff Show, Pace Gallery, New York, US
2020 Unflagging, Ballroom Marfa, Texas, US Axis of Horizon, National Museum of Modern and Contemporary Art, Seoul, Korea Unconstrained Textiles: Stitching Methods, Crossing Ideas, Centre for Heritage, Arts and Textile (CHAT), Hong Kong Making Community: Prints from Brandywine Workshop and Archives, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
2019 James Cohan: Twenty Years, James Cohan, New York, US This Skin of Ours (curated by Liz Park), Carnegie Mellon University’s Miller Institute for Contemporary Art, Pittsburgh, US Weather Report: Art and Atmosphere (curated by Richard Klein), The Aldrich Contemporary Art Museum, Ridgefield, US One Shiny Day, Daegu Art Museum, Daegu, Korea Borders, James Cohan Gallery, New York, US
2018 The 12th Gwangju Biennale: Imagined Borders, Gwangju, Korea Real DMZ Project, Cheorwon, Korea Tastes of Weather, Seoul Museum of Art, Seoul, Korea
2017 Blue Black, curated by Glenn Ligon, Pulitzer Arts, St. Louis, US Cheap Suitcase, Invisible Exports, New York, US Indirect Representations, Cristin Tierney, New York, US What I Loved: Selected Works from the '90s, Los Angeles, California, US x ≈ y: An Act of Translation, Tiger Strikes Asteroid (TSA), New York, US
2016
5th Anyang Public Art Project, Anyang, Korea Certain Skins, James Cohan Gallery, New York, NY This is a Portrait If I Say So: Identity in American Art, 1912 - Today, Bowdoin College Museum of Art, Brunswick, US Human Interest: Portraits from the Whitney Collection, Whitney Museum of American Art, New York, US Come As You Are: Art of the 1990s, The Blanton Museum of Art, The University of Texas at Austin, Austin, Texas, US
2015 Immersed, Linda Pace Foundation, San Antonio, US Glenn Ligon: Encounters and Collisions, Nottingham Contemporary, Nottingham, UK; traveled to Tate Liverpool, Liverpool, UK The Untold Want, Royal Hibernian Academy, Dublin, Ireland Sharjah Biennial 12: The past, the present, the possible, Sharjah, UAE Come As You Are: Art of the 1990s, Montclair Art Museum, Montclair, US; traveled to Telfair Museum of Art, Savannah, US; University of Michigan Museum of Art, Ann Arbor, US; Blanton Museum of Art, University of Texas at Austin, Austin, US
2014 Beyond and Between, Leeum - Samsung Museum of Art, Seoul, Korea
2013 Spencer Finch & Byron Kim: Day and Night, James Cohan, Shanghai, China Eye to i: 3,000 Years of Portraiture, Katonah Museum of Art, Westchester, US Revelations, Eli & Edythe Broad Art Museum at Michigan State University, Michigan, US Skin: an Artistic Atlas, Royal Hibernian Academy, Dublin, Ireland NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, US Day after Day: The Diaristic Impulse, University Art Museum, University at Albany, State University of New York, Albany, US
2012 The Very Large Array: San Diego/Tijuana Artists in the MCA Collection, Museum of Contemporary Art San Diego, San Diego, US Look Both Ways, Hosfelt Gallery, San Francisco, California, US Semi-permeable, Hosfelt Gallery, New York, US Radical Terrain, Rubin Museum, New York, US Time-Lapse, SITE Santa Fe, Santa Fe, US Dislocation, Daegu Art Museum, Daegu, Korea
2011 Unfolding Tales: Selections from the Collection, Brooklyn Museum, Brooklyn, US Time Flies, Hosfelt Gallery, San Francisco, US Two Colors Two Colors, Kathleen Cullen Fine Arts & Elizabeth Ivers Gallery, New York, US
2010 Hard Targets, Wexner Center for the Arts, Columbus, US Centennial Celebration of Yi Sang's Birth, Arko Art Center, Seoul, Korea
2009 Faces & Facts: Korean Contemporary Art in New York, Queens Museum of Art, New York, US The Endless Renaissance, Bass Museum of Art, Miami, US Colour Chart: Reinventing Colour, 1950 to Today, Tate Liverpool, Liverpool, UK
2008
7th Gwangju Biennale, Gwangju, Korea Color Chart: Reinventing Color, 1950 toToday – MoMA, Museum of Modern Art, New York, US
Patterns for Living, Queens, NY Abstraction Imagination, PKM Trinity Gallery, Seoul, South Korea
2007 Void in Korean Art, Leeum – Samsung Museum of Art, Seoul, Korea Like Color in Pictures, Aspen Art Museum, Aspen, US Not for Sale, P.S. 1 Contemporary Art Center, Long Island City, US Oustide the Box, Hosfelt Gallery, San Francisco, CA
2006 The Bong Show or This Is Not A Pipe, Leslie Artworks + Projects, New York, NY Gifts Go in One Direction, Apexart, New York, US New Now Next - The Contemporary Blanton, Blanton Museum of Art, Austin, US Work in Progress, DUMBO Arts Centre, Brooklyn, US Frontiers – Collecting the Art of Our Time, Worcester Art Museum, Worcester, US
2005 Collection Remixed, Bronx Museum of the Arts, New York, US
2004 Specific Objects – The Minimalist Influence, Museum of Contemporary Art San Diego, La Jolla, US
2003 Visualizing Identity, Blanton Museum of Art, Austin, US Approaching Objects, Whitney Museum of American Art, New York, US Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art, The Contemporary Arts Center, Cincinnati, US Whiteness, A Wayward Construction, Laguna Art Museum, Laguna Beach, US
2002 Skin, Museé de la Civilisation, Quebec, Canada Family Ties, Peabody Essex Museum, Salem, US Mask or Mirror? A Play of Portraits, Worcester Art Museum, Worcester, US
2001 American Tableaux, Walker Art Center, Minneapolis, US Claude Monet and the Modern Age, Kunsthalle der Hypo-Kulturstiftung, München, Germany And Fondation Beyeler, Riehen, Switzerland Here and Now, Zacheta National Gallery, Warsaw, Poland and Arsenal Gallery, Bialystok, Poland It’s Not What You See: Perverting Minimalism, Reina Sofia, Madrid, Spain
2000 Good Business is the Best Art, Bronx Museum of the Arts, Bronx, US
3rd Gwangju Biennale, Gwangju, Korea KOREAMERICAKOREA, Artsonje Center, Seoul and Artsonje Museum, Gyeongju, Korea
1999 Drawing for the Present Tense, Parsons School of Design, New York, US Negotiating Small Truths, Blanton Museum, University of Texas at Austin, Austin, US Between the Unknown Straits - Art Now in Japan and Korea, Meguro Museum of Art, Tokyo; traveled to The National Museum of Art, Osaka, Japan, and the Korean Culture and Art Foundation, Seoul, Korea Waxing Poetic: Encaustic Art in America, Montclair Art Museum, Montclair, NJ and Knoxville Museum of Art, Knoxville, US Contemporary Collectors XIV, Museum of Contemporary art San Diego, La Jolla, US
1998 Kiki Smith, Byron Kim, Anne Chu, AC Project Room, New York, US Space/Sight/Self, David and Alfred Smart Museum of Art, University of Chicago, Chicago, US Formal Innovations: Reworking Minimalism in the 1990s, University of Michigan Museum of Art, Ann Arbor, US From Here to Eternity: Painting in 1998, Max Protetch Gallery, New York, US 100 Years of Sculpture: From the Pedestal to the Pixel, Walker Art Center, Minneapolis, US After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, US T-Race, Randolph Street Gallery, Chicago, US
1996 Face to Face: Recent Abstract Painting, List Visual Arts Center, MIT, Cambridge, US Face Value, Wexner Center, Columbus, US A Glimpse of the Norton Collection As Revealed by Kim Dingle, Site Santa Fe, Santa Fe, US Screen, Friedrich Petzel Gallery, New York, US Works on Paper, Max Protetch Gallery, New York, US Contemporaneous, Newlyn Art Gallery, Penzance, UK
1995 The Figure/The Body, American Art: 1945-1995, Museum of American Art, Pennsylvania Academy of Fine Art, Philadelphia, US Art at the Edge: Tampering: Artists & Abstraction Today, High Museum, Atlanta, US Sites of Being, Institute of Contemporary Art, Boston, US 25 Americans: Painting in the 90s, Milwaukee Art Museum, Milwaukee, US Face Value: American Portraits, Parrish Art Museum, Southampton, US Modesty, A Policy: Junge Malerie aus New York, Galerie Sfeir-Semler, Kiel, Germany Works on Paper, Todd Gallery, London, UK Critical Distance: Between Art and Architecture, Neuberger Museum of Art, Purchase College, SUNY, Purchase, US
1994 Pleasant Pebble, The Work Space at Dolgenos, Newman and Cronin, New York, US Stories, Max Protetch Gallery, New York, US Practice Ground, Ottawa Art Gallery, Ottawa, Canada Drama, Max Protetch Gallery, New York, US
1993 Spheres of Influence: Artists and their Students in the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art at Champion,Stamford, US Markets of Resistance, White Columns, New York, US American Academy Invitational, American Academy of Arts and Letters, New York, US Prospect 1993, Frankfurter Kustverein, Frankfurt, Germany Biennial, Whitney Museum of American Art, New York, US Skin Deep, New Museum of Contemporary Art, New York, US Physical Evidence, Bard College, Annandale-on-Hudson, NY and Lehman College Art Gallery, Bronx, US New Sculpture: Soft Surfaces, Transamerica Pyramid Lobby Gallery, San Francisco, US
1992 Sleeping with The Enemy: A Theory on the Persistence of Dialects, Four Walls, Brooklyn, US Slow Art, P.S. 1 Museum, Institute of Contemporary Art, Queens, New York, US Contemporary Surfaces, Pamela Auchincloss Gallery, New York, US Cultural Abstraction, John Good Gallery, New York, US Seventeen, 500 Greenwich, New York, US
1991 Color Theory, SUNY Old Westbury, Long Island, US Salvage Utopia, AC Project Room, New York, US The Naked and The Raw, P.S. 122, New York, US Race and Culture, 494 Gallery and C.C.N.Y. Gallery, New York, US
1990 Micro-Colonization, AC Project Room, New York, US Artists in the Marketplace, The Bronx Museum, Bronx, US China: June 4, 1989, organized by Asian American Arts Centre, P.S. 1, Institute of Contemporary Arts, Queens, US A Question of Paint, Hallwalls Contemporary Arts Center, Buffalo, US
1989 China: June 4, 1989, organized by Asian American Arts Centre, Blum Helman Warehouse, New York, US Skowhegan Faculty and Staff Exhibition, Portland Museum of Art, Portland, ME and Colby College Museum of Art, Waterville, US
Colby College Museum of Art, Waterville, US
1988 34th Annual Juried Exhibition, Art Institute at the San Diego Museum of Art, San Diego, US Yesterday: Reflections on Childhood, Asian American Arts Centre, New York, US
Selected Awards
2022
Skowhegan Medal for Painting, New York, US
2019
Robert De Niro, Sr. Prize, New York, US
2017
Fine Arts Guggenheim Fellowship, New York, US
2008
Alpert Award in the Arts, Santa Monica, US
2002
UCROSS, Cal Arts Alpert Residency, Sheridan, US
1998
Sirius Arts Centre, Residency Programme, County Cork, Ireland
1997
Joan Mitchell Foundation Grant, New York, US
1995
National Endowment for the Arts Award, Washington D.C., US
1994
New York Foundation for the Arts Grant, New York, US
Louis Comfort Tiffany Foundation Award, New York, US
The Korea Arts Foundation of America, Award for the Visual Arts, Los Angeles, US
1993
The Louise Nevelson Award in Art, American Academy of Arts and Letters, New York, US
1991
Diverse Forms Artists' Projects Grant funded by the National Endowment for the Arts, The Rockefeller Foundation and the Jerome Foundation, New York, US
1990
Artist-in-Residence Grant, New York State Council on the Arts, New York, US
Selected Public and Private Collections
Albright-Knox Art Gallery, Buffalo, US
Art Institute of Chicago, Chicago, US
Berkeley Art Museum, Berkeley, US
Blanton Museum of Art, Austin, US
Brooklyn Museum of Art, Brooklyn, US
Hirshhorn Museum, Washington D.C., US
John’s Hopkins Hospital, Baltimore, US
Museum of Contemporary Art, La Jolla, US
Museum of Contemporary Art, San Diego, US
Milwaukee Art Museum, Milwaukee, US
National Gallery of Art, Washington D.C., US
Norton Family Collection, Santa Monica, US
San Francisco Museum of Modern Art, San Francisco, US
Smithsonian American Art Museum, Washington D.C., US
Wadsworth Athenaeum, Hartford, US
Walker Art Center, Minneapolis, US
Washington Project for the Arts, Washington D.C., US
Whitney Museum of American Art, New York, US
Worcester Art Museum, Worcester, US