November 2024
Kyungah Ham and Haegue Yang Participate in Forms of the Shadow at the Secession in Vienna, Austria
Korean contemporary artists Kyungah Ham and Haegue Yang are currently participating in the group exhibition Forms of the Shadow at the Secession and the Korean Cultural Centre in Vienna, Austria. Curated by Sunjung Kim, Artistic Director of the Art Sonje Center in Seoul, the exhibition features 18 artists (individuals and collectives), exploring the "shadows" cast over contemporary life, including the pandemic, climate crisis, and geopolitical tensions that can be witnessed globally. The exhibition reflects on the human existence in the 21st century and captures a portrait of our time.
As part of the Vienna Secession movement that emerged in the late 19th century, the institution was inaugurated by artists such as Gustav Klimt and Egon Schiele, championing the progressive art since its founding in 1897. Operated by artists, the Secession embraces the motto “To each era its art. To art its freedom,” and has been actively engaging with cultural and social issues, as well as contemporary societal and political matters, fostering discourse through art. This exhibition aligns with the institution's art-historical and historical contexts, emphasizing the complexities of the era contemporary people face while highlighting hopeful solidarity, showing that despite these complexities, we are all interconnected.
Kyungah Ham presents her large-scale embroidery painting series What You See Is Not What You See/Chandeliers for Five Cities (2014–16), featuring an image of a grand chandelier. The sparkling lights of the chandelier are obscured by its swinging movements, suggesting paradoxical relationships surrounding the imperfections of great power or ideology, and the ongoing conflicts that prevail. The delicate stitches, each one a pixel, encapsulate the hidden presence of North Korean embroidery artisans, symbolizing the suffering of those living through the history of separation.
Haegue Yang, on the other hand, showcases her blind installation Fatal Love (2008/2018), which abstractly captures the tragic ending of Petra Kelly, the founder of the German Green Party and environmental activist, and her partner Gert Bastian, a former NATO military commander. Through Kelly’s narrative, the artist interweaves personal, historical, and political circumstances, suggesting the complexities of human existence through multiple layers of context surrounding a single individual.
In light of the two World Wars and the Cold War of the 20th century, as well as the ongoing war in Ukraine that continues to raise concerns about further escalation, and the pressure from the rise of far-right movements in Austria, the exhibition illuminates a global sense of community that spans past and present, East and West. The exhibition runs until November 17.